/**************************************************************************** ** ** Copyright (C) 2012 Nokia Corporation and/or its subsidiary(-ies). ** All rights reserved. ** Contact: Nokia Corporation (qt-info@nokia.com) ** ** This file is part of the documentation of the Qt Toolkit. ** ** $QT_BEGIN_LICENSE:FDL$ ** GNU Free Documentation License ** Alternatively, this file may be used under the terms of the GNU Free ** Documentation License version 1.3 as published by the Free Software ** Foundation and appearing in the file included in the packaging of ** this file. ** ** Other Usage ** Alternatively, this file may be used in accordance with the terms ** and conditions contained in a signed written agreement between you ** and Nokia. ** ** ** ** ** $QT_END_LICENSE$ ** ****************************************************************************/ /*! \example painting/basicdrawing \title Basic Drawing Example \brief The Basic Drawing example shows how to display basic graphics primitives in a variety of styles using the QPainter class. QPainter performs low-level painting on widgets and other paint devices. The class can draw everything from simple lines to complex shapes like pies and chords. It can also draw aligned text and pixmaps. Normally, it draws in a "natural" coordinate system, but it can in addition do view and world transformation. \image basicdrawing-example.png The example provides a render area, displaying the currently active shape, and lets the user manipulate the rendered shape and its appearance using the QPainter parameters: The user can change the active shape (\gui Shape), and modify the QPainter's pen (\gui {Pen Width}, \gui {Pen Style}, \gui {Pen Cap}, \gui {Pen Join}), brush (\gui {Brush Style}) and render hints (\gui Antialiasing). In addition the user can rotate a shape (\gui Transformations); behind the scenes we use QPainter's ability to manipulate the coordinate system to perform the rotation. The Basic Drawing example consists of two classes: \list \o \c RenderArea is a custom widget that renders multiple copies of the currently active shape. \o \c Window is the application's main window displaying a \c RenderArea widget in addition to several parameter widgets. \endlist First we will review the \c Window class, then we will take a look at the \c RenderArea class. \section1 Window Class Definition The Window class inherits QWidget, and is the application's main window displaying a \c RenderArea widget in addition to several parameter widgets. \snippet examples/painting/basicdrawing/window.h 0 We declare the various widgets, and three private slots updating the \c RenderArea widget: The \c shapeChanged() slot updates the \c RenderArea widget when the user changes the currently active shape. We call the \c penChanged() slot when either of the QPainter's pen parameters changes. And the \c brushChanged() slot updates the \c RenderArea widget when the user changes the painter's brush style. \section1 Window Class Implementation In the constructor we create and initialize the various widgets appearing in the main application window. \snippet examples/painting/basicdrawing/window.cpp 1 First we create the \c RenderArea widget that will render the currently active shape. Then we create the \gui Shape combobox, and add the associated items (i.e. the different shapes a QPainter can draw). \snippet examples/painting/basicdrawing/window.cpp 2 QPainter's pen is a QPen object; the QPen class defines how a painter should draw lines and outlines of shapes. A pen has several properties: Width, style, cap and join. A pen's width can be \e zero or greater, but the most common width is zero. Note that this doesn't mean 0 pixels, but implies that the shape is drawn as smoothly as possible although perhaps not mathematically correct. We create a QSpinBox for the \gui {Pen Width} parameter. \snippet examples/painting/basicdrawing/window.cpp 3 The pen style defines the line type. The default style is solid (Qt::SolidLine). Setting the style to none (Qt::NoPen) tells the painter to not draw lines or outlines. The pen cap defines how the end points of lines are drawn. And the pen join defines how two lines join when multiple connected lines are drawn. The cap and join only apply to lines with a width of 1 pixel or greater. We create \l {QComboBox}es for each of the \gui {Pen Style}, \gui {Pen Cap} and \gui {Pen Join} parameters, and adds the associated items (i.e the values of the Qt::PenStyle, Qt::PenCapStyle and Qt::PenJoinStyle enums respectively). \snippet examples/painting/basicdrawing/window.cpp 4 The QBrush class defines the fill pattern of shapes drawn by a QPainter. The default brush style is Qt::NoBrush. This style tells the painter to not fill shapes. The standard style for filling is Qt::SolidPattern. We create a QComboBox for the \gui {Brush Style} parameter, and add the associated items (i.e. the values of the Qt::BrushStyle enum). \snippet examples/painting/basicdrawing/window.cpp 5 \snippet examples/painting/basicdrawing/window.cpp 6 Antialiasing is a feature that "smoothes" the pixels to create more even and less jagged lines, and can be applied using QPainter's render hints. QPainter::RenderHints are used to specify flags to QPainter that may or may not be respected by any given engine. We simply create a QCheckBox for the \gui Antialiasing option. \snippet examples/painting/basicdrawing/window.cpp 7 The \gui Transformations option implies a manipulation of the coordinate system that will appear as if the rendered shape is rotated in three dimensions. We use the QPainter::translate(), QPainter::rotate() and QPainter::scale() functions to implement this feature represented in the main application window by a simple QCheckBox. \snippet examples/painting/basicdrawing/window.cpp 8 Then we connect the parameter widgets with their associated slots using the static QObject::connect() function, ensuring that the \c RenderArea widget is updated whenever the user changes the shape, or any of the other parameters. \snippet examples/painting/basicdrawing/window.cpp 9 \snippet examples/painting/basicdrawing/window.cpp 10 Finally, we add the various widgets to a layout, and call the \c shapeChanged(), \c penChanged(), and \c brushChanged() slots to initialize the application. We also turn on antialiasing. \snippet examples/painting/basicdrawing/window.cpp 11 The \c shapeChanged() slot is called whenever the user changes the currently active shape. First we retrieve the shape the user has chosen using the QComboBox::itemData() function. This function returns the data for the given role in the given index in the combobox. We use QComboBox::currentIndex() to retrieve the index of the shape, and the role is defined by the Qt::ItemDataRole enum; \c IdRole is an alias for Qt::UserRole. Note that Qt::UserRole is only the first role that can be used for application-specific purposes. If you need to store different data in the same index, you can use different roles by simply incrementing the value of Qt::UserRole, for example: 'Qt::UserRole + 1' and 'Qt::UserRole + 2'. However, it is a good programming practice to give each role their own name: 'myFirstRole = Qt::UserRole + 1' and 'mySecondRole = Qt::UserRole + 2'. Even though we only need a single role in this particular example, we add the following line of code to the beginning of the \c window.cpp file. \snippet examples/painting/basicdrawing/window.cpp 0 The QComboBox::itemData() function returns the data as a QVariant, so we need to cast the data to \c RenderArea::Shape. If there is no data for the given role, the function returns QVariant::Invalid. In the end we call the \c RenderArea::setShape() slot to update the \c RenderArea widget. \snippet examples/painting/basicdrawing/window.cpp 12 We call the \c penChanged() slot whenever the user changes any of the pen parameters. Again we use the QComboBox::itemData() function to retrieve the parameters, and then we call the \c RenderArea::setPen() slot to update the \c RenderArea widget. \snippet examples/painting/basicdrawing/window.cpp 13 The brushChanged() slot is called whenever the user changes the brush parameter which we retrieve using the QComboBox::itemData() function as before. \snippet examples/painting/basicdrawing/window.cpp 14 If the brush parameter is a gradient fill, special actions are required. The QGradient class is used in combination with QBrush to specify gradient fills. Qt currently supports three types of gradient fills: linear, radial and conical. Each of these is represented by a subclass of QGradient: QLinearGradient, QRadialGradient and QConicalGradient. So if the brush style is Qt::LinearGradientPattern, we first create a QLinearGradient object with interpolation area between the coordinates passed as arguments to the constructor. The positions are specified using logical coordinates. Then we set the gradient's colors using the QGradient::setColorAt() function. The colors is defined using stop points which are composed by a position (between 0 and 1) and a QColor. The set of stop points describes how the gradient area should be filled. A gradient can have an arbitrary number of stop points. In the end we call \c RenderArea::setBrush() slot to update the \c RenderArea widget's brush with the QLinearGradient object. \snippet examples/painting/basicdrawing/window.cpp 15 A similar pattern of actions, as the one used for QLinearGradient, is used in the cases of Qt::RadialGradientPattern and Qt::ConicalGradientPattern. The only difference is the arguments passed to the constructor: Regarding the QRadialGradient constructor the first argument is the center, and the second the radial gradient's radius. The third argument is optional, but can be used to define the focal point of the gradient inside the circle (the default focal point is the circle center). Regarding the QConicalGradient constructor, the first argument specifies the center of the conical, and the second specifies the start angle of the interpolation. \snippet examples/painting/basicdrawing/window.cpp 16 If the brush style is Qt::TexturePattern we create a QBrush from a QPixmap. Then we call \c RenderArea::setBrush() slot to update the \c RenderArea widget with the newly created brush. \snippet examples/painting/basicdrawing/window.cpp 17 Otherwise we simply create a brush with the given style and a green color, and then call \c RenderArea::setBrush() slot to update the \c RenderArea widget with the newly created brush. \section1 RenderArea Class Definition The \c RenderArea class inherits QWidget, and renders multiple copies of the currently active shape using a QPainter. \snippet examples/painting/basicdrawing/renderarea.h 0 First we define a public \c Shape enum to hold the different shapes that can be rendered by the widget (i.e the shapes that can be rendered by a QPainter). Then we reimplement the constructor as well as two of QWidget's public functions: \l {QWidget::minimumSizeHint()}{minimumSizeHint()} and \l {QWidget::sizeHint()}{sizeHint()}. We also reimplement the QWidget::paintEvent() function to be able to draw the currently active shape according to the specified parameters. We declare several private slots: The \c setShape() slot changes the \c RenderArea's shape, the \c setPen() and \c setBrush() slots modify the widget's pen and brush, and the \c setAntialiased() and \c setTransformed() slots modify the widget's respective properties. \section1 RenderArea Class Implementation In the constructor we initialize some of the widget's variables. \snippet examples/painting/basicdrawing/renderarea.cpp 0 We set its shape to be a \gui Polygon, its antialiased property to be false and we load an image into the widget's pixmap variable. In the end we set the widget's background role, defining the brush from the widget's \l {QWidget::palette}{palette} that will be used to render the background. QPalette::Base is typically white. \snippet examples/painting/basicdrawing/renderarea.cpp 2 The \c RenderArea inherits QWidget's \l {QWidget::sizeHint()}{sizeHint} property holding the recommended size for the widget. If the value of this property is an invalid size, no size is recommended. The default implementation of the QWidget::sizeHint() function returns an invalid size if there is no layout for the widget, and returns the layout's preferred size otherwise. Our reimplementation of the function returns a QSize with a 400 pixels width and a 200 pixels height. \snippet examples/painting/basicdrawing/renderarea.cpp 1 \c RenderArea also inherits QWidget's \l{QWidget::minimumSizeHint()}{minimumSizeHint} property holding the recommended minimum size for the widget. Again, if the value of this property is an invalid size, no size is recommended. The default implementation of QWidget::minimumSizeHint() returns an invalid size if there is no layout for the widget, and returns the layout's minimum size otherwise. Our reimplementation of the function returns a QSize with a 100 pixels width and a 100 pixels height. \snippet examples/painting/basicdrawing/renderarea.cpp 3 \codeline \snippet examples/painting/basicdrawing/renderarea.cpp 4 \codeline \snippet examples/painting/basicdrawing/renderarea.cpp 5 The public \c setShape(), \c setPen() and \c setBrush() slots are called whenever we want to modify a \c RenderArea widget's shape, pen or brush. We set the shape, pen or brush according to the slot parameter, and call QWidget::update() to make the changes visible in the \c RenderArea widget. The QWidget::update() slot does not cause an immediate repaint; instead it schedules a paint event for processing when Qt returns to the main event loop. \snippet examples/painting/basicdrawing/renderarea.cpp 6 \codeline \snippet examples/painting/basicdrawing/renderarea.cpp 7 With the \c setAntialiased() and \c setTransformed() slots we change the state of the properties according to the slot parameter, and call the QWidget::update() slot to make the changes visible in the \c RenderArea widget. \snippet examples/painting/basicdrawing/renderarea.cpp 8 Then we reimplement the QWidget::paintEvent() function. The first thing we do is to create the graphical objects we will need to draw the various shapes. We create a vector of four \l {QPoint}s. We use this vector to render the \gui Points, \gui Polyline and \gui Polygon shapes. Then we create a QRect, defining a rectangle in the plane, which we use as the bounding rectangle for all the shapes excluding the \gui Path and the \gui Pixmap. We also create a QPainterPath. The QPainterPath class provides a container for painting operations, enabling graphical shapes to be constructed and reused. A painter path is an object composed of a number of graphical building blocks, such as rectangles, ellipses, lines, and curves. For more information about the QPainterPath class, see the \l {painting/painterpaths}{Painter Paths} example. In this example, we create a painter path composed of one straight line and a Bezier curve. In addition we define a start angle and an arc length that we will use when drawing the \gui Arc, \gui Chord and \gui Pie shapes. \snippet examples/painting/basicdrawing/renderarea.cpp 9 We create a QPainter for the \c RenderArea widget, and set the painters pen and brush according to the \c RenderArea's pen and brush. If the \gui Antialiasing parameter option is checked, we also set the painter's render hints. QPainter::Antialiasing indicates that the engine should antialias edges of primitives if possible. \snippet examples/painting/basicdrawing/renderarea.cpp 10 Finally, we render the multiple copies of the \c RenderArea's shape. The number of copies is depending on the size of the \c RenderArea widget, and we calculate their positions using two \c for loops and the widgets height and width. For each copy we first save the current painter state (pushes the state onto a stack). Then we translate the coordinate system, using the QPainter::translate() function, to the position determined by the variables of the \c for loops. If we omit this translation of the coordinate system all the copies of the shape will be rendered on top of each other in the top left cormer of the \c RenderArea widget. \snippet examples/painting/basicdrawing/renderarea.cpp 11 If the \gui Transformations parameter option is checked, we do an additional translation of the coordinate system before we rotate the coordinate system 60 degrees clockwise using the QPainter::rotate() function and scale it down in size using the QPainter::scale() function. In the end we translate the coordinate system back to where it was before we rotated and scaled it. Now, when rendering the shape, it will appear as if it was rotated in three dimensions. \snippet examples/painting/basicdrawing/renderarea.cpp 12 Next, we identify the \c RenderArea's shape, and render it using the associated QPainter drawing function: \list \o QPainter::drawLine(), \o QPainter::drawPoints(), \o QPainter::drawPolyline(), \o QPainter::drawPolygon(), \o QPainter::drawRect(), \o QPainter::drawRoundedRect(), \o QPainter::drawEllipse(), \o QPainter::drawArc(), \o QPainter::drawChord(), \o QPainter::drawPie(), \o QPainter::drawPath(), \o QPainter::drawText() or \o QPainter::drawPixmap() \endlist Before we started rendering, we saved the current painter state (pushes the state onto a stack). The rationale for this is that we calculate each shape copy's position relative to the same point in the coordinate system. When translating the coordinate system, we lose the knowledge of this point unless we save the current painter state \e before we start the translating process. \snippet examples/painting/basicdrawing/renderarea.cpp 13 Then, when we are finished rendering a copy of the shape we can restore the original painter state, with its associated coordinate system, using the QPainter::restore() function. In this way we ensure that the next shape copy will be rendered in the correct position. We could translate the coordinate system back using QPainter::translate() instead of saving the painter state. But since we in addition to translating the coordinate system (when the \gui Transformation parameter option is checked) both rotate and scale the coordinate system, the easiest solution is to save the current painter state. */